First Place for Art Project - $500
Whitney Robinson (University of Massachusetts, Amherst, MA)
Autobiography: “A Darker Sort Of Girl”
BrainDance 2007: A Darker Sort Of Girl
Whitney Robinson
I
They take my belt,
but let me keep my shoelaces. The whole place smells of antiseptic, masking
darker smells. All you have to do is breathe to be reminded that this is a
hospital. It's only a small part of a larger medical facility, but this is the
only ward where the doors lock behind you. “Upstairs,” they euphemistically call
it, because psychiatric wards are nearly always located on the top floor to
minimize the possibility of escape.
“You’ll be safe
here,” the nurse tells me, emptying my pockets. “The voices can’t hurt you in
this place.”
“Au
contraire, mon cherie,” they beg to differ.
It is a
strange experience, to have someone go through your pants pockets while you’re
wearing them. They’re quite professional about it, but it’s still somehow
violating, and I grimace as the nurse pulls a tissue out of my back pocket and
smooths it out to make sure it’s not concealing a razor blade. It’s not, and she
hands it back to me.
“That’s okay, you
keep it.” I mutter. I don't remind her of the places she hasn't checked. She
leads me to a stark white room with two beds, one unmade. There is a window, but
it is covered with thick wire mesh. The weak March sun is too sickly to pierce
the stark gray shadows of the room; it rests desultorily on the horizon. In the
hall, a great naked bear of a woman shambles past, carrying a set of soiled
clothes to the laundry receptacle.
“Put on some clothes,
Patricia,” the nurse says mildly, as if this is a frequent occurrence. In
another room, someone is loudly, violently, and badly singing along to a Linkin
Park song.
“We’ll send you up a
tray of supper,” says the nurse, and leaves me.
“It will be
nauseating,” predicts my private demon. He is correct. The promised tray,
which arrives some interminable time later, holds some kind of mammal stew and a
round cafeteria scoop of mashed potatoes that are oddly smooth and sour.
You don’t have to be
polite, I know you don’t care what I had for dinner in the nuthouse. You want to
know what I'm doing here. I have nothing better to do, unless I want to watch
Jeopardy in the common room, so I'll tell you. Alex Trebeck may be able to tell
you the Latin name of the pygmy marmoset, but I can tell you about something far
more interesting. They have a Latin name for it too, or maybe it's German.
Schizophrenia, they call it, and whatever language you speak it in, it means
shattered mind. No…it means shattered hope, shattered faith. Shattered
everything.
II
It was shortly after
my eighteenth birthday, when the spiderweb cracks that encircled my
consciousness began to splinter. Picture a bleak November day, prior to any of
my hospitalizations. I've been superficially lacerating my arms, which has
become my teenage-angst reaction to every stress or injustice, so my parents
have made an appointment for me to see some Dr. Callahan. Even as a psychology
major, I have an intrinsic mistrust of any profession where two people enter a
room, and one leaves an hour later after writing a check for a hundred and fifty
dollars. I agree to the consultation reluctantly, however, hoping it will
restore the silence I have grown to enjoy.
In the
waiting room, two old ladies cut out pictures of food from the magazines. A
frugal habit; the bright paper cakes and pies are cheaper than plastic toys for
their grandchildren to play with. When I came in they were chirping away like a
couple of sparrows on a telephone wire; about the weather, their aching bones,
the aforementioned grandchildren. Their eyes are clouded with cataracts, but the
opaque swirls over the blue could almost be memories.
“She was a
beautiful dog. The children loved her…named her Snowdrop because her ears were
tiny and curled like the first little snowdrops of spring. ”
“And they took
her sledding on my hill with Arthur, didn’t they? Oh but Chelsea will love this
jubilee cake.”
Then a cold
shadow falls across the room, though there is no window and the only light comes
from fluorescent bulbs in the ceiling. The blue eyes are sharp and cruel now,
darting toward me with malice. They still hold scissors and magazines, but the
cuts are random- half a Boston crème pie and a sliver of article on perfecting
the flambé.
“It’s such a
shame about the girl,” says one, and I know she is talking about me. “The
Council will not show mercy.”
“Sacrifices
must be made,” says the other.
“Sacrifices,”
echoes the first, jabbing the air with the scissors. I jump up and bolt from the
room. I’m halfway out the door when I run into a tall, slender man in a dark
suit and wing-tip shoes. Only psychiatrists and lawyers dress like that, and
since this is a mental health clinic I assume he's the former.
“You seem to
be in a hurry,” he says mildly. His voice has a pleasant Irish drawl.
I glance back
at the old ladies, but they are once again bent studiously over their magazines,
cutting away.
“You aren’t
Ms. Robinson, by any chance?”
“Yes,” I say,
a little breathlessly. "How did you know?"
“I’m Dr.
Callahan." He gestures down the long corridor to his office. "Why don’t you come
with me.”
Our
appointment is brief and useless. Disturbed by my strange experience in the
waiting room, and I answer his questions in distracted monosyllables.
"Do you have
any brothers or sisters?"
"mmhm…I uh, I
suppose it's possible…"
"Could you
tell me what you see when I hold up this inkblot card?"
"Um I…I'm not
sure. Spilled grape jelly…" his eyes are not approving. "Um…a bat? A bat eating
grape jelly?"
The doctor
gets frustrated quickly and prescribes me an antidepressant. When I re-enter the
waiting room the two old ladies are gone. The magazines I see are whole and
undamaged, and I wonder if they were ever there.
III
I was walking in the
park, the first time I heard Them. You hear that word a lot from people with
schizophrenia- ‘Them.’ They, the doctors tell me, are the manifestations of
paranoid delusion, caused by anomalies in the dopaminergic neurons of the
frontal cortex and striatum. For some people They are government spies, or
Nazis, or aliens. For me, They are evil in its purest form.
That day, the one
that began the end of everything, I was wandering in the park behind the
playground, where a little stream dumps polluted water into the larger polluted
lake beyond. It ends in a waterfall by the center of town, you can see it if you
hang over the edge of the bridge, and the water looks like toxic orange juice
gushing over the edge. I used to swim in that river with my friends when I was a
child. We caught frogs there, until we caught them all and kept them in glass
aquariums until they died. That was the end of the frogs, but for years after
they were gone I walked along the river’s edge, hoping they had returned,
searching for life where we had destroyed it.
On this particular
bleak November day, the water is dark and silent, trickling over a carpet of
rotting leaves. As I wander away down the tree-lined path, a couple of squirrels
are fighting over a piece of bread. There is a fat, sleek one and a scrawny,
diseased looking little thing.
“The big fellow
will win this, but he’ll die before winter," someone says. It's a chilling
voice, somehow inhuman, like someone manipulating the vocal cords of something
that is already dead. I look around, but see nobody. The fat squirrel runs at
the little one with the tattered tail, chattering what are no doubt profanities
in squirrel language. The small squirrel drops the bread and scurries to safety.
Leaving the big
fellow to his prize, I crash through the undergrowth to locate the source of
that strange voice. But the trees here are only saplings, and there aren't many
places to hide. Those words, once spoken, seem to resonate inside me so by the
time I have conducted a thorough search of the area, I'm not sure that the voice
wasn't entirely in my mind.
When I return home, I
notice a strange smell upon entering my room. Both metallic and sweet, like
blood and some kind of exotic flower. My room seems different, too, like someone
left hastily and never returned. Papers scattered, pajamas on the floor. I
recognize them, but they are no longer mine. I feel like a historian looking at
the ruins of an ancient civilization, like the girl who owns these things is
long dead. Passing my hand like a Geiger counter over a stack of papers on my
desk, I can almost feel the ghost of a foreign touch. Something has been here.